The High Line is New York at its Most. You Gotta Go

June 23, 2009 at 6:01 pm | In Uncategorized | 1 Comment

The High Line is open and it’s the most interesting  site specific piece of art I’ve seen in a loooong time.  The typical park is a respite from the cacophony of urban life.  It’s designed to create an oasis apart from hustle and bustle – to create a space for quiet contemplation.  The High Line -  however  -  is designed to embrace and reinforce the experience of  New York.  The park was created from an abandoned elevated railroad bed, which at the time it was built in the 30’s, was an engineering marvel meant to take the railroad traffic off 10th Avenue and get it out of the way of foot and car traffic.  Therefore it’s  a long skinny park  and walking along it is like walking on a wide sidewalk – a normal New York experience.   But this sidewalk has plants –  not elegant cultivated plants, but New York plants  – native, wild looking  species chosen for their hardiness.  And they grow through cracks in the concrete – so you always sense the quintessential New York nature-urban conflict.  Is nature going to tame the city or vice versa?

And of course like any New York sidewalk, there are tons of people strolling, texting, gossiping,  proposing  marriage, sunning, having lunch, etc.  But unlike your typical New York sidewalk, it’s three stories above the ground, so your whole urban experience is skewed and heightened. You can see out to the river,  as well as the  inner workings of the parking lot on 19th.  Billboards are not waaay in the air, but in your face,  as are the assortment of star architect buildings popping up to take advantage of the park. Taxis and traffic are down there as is the vista of 14th Street.  But the guys working construction on all the new building are at  eye level and newly visible as is the wash hanging from lines in the few remaining tenement buildings.  The High Line is New York squared and therefore a wonderful thing.

You gotta go

plants and billboard

Galleries on Lower East Side

May 13, 2009 at 9:26 pm | In Uncategorized | 3 Comments

Last week I was lucky enough to join a tour of some of the many new galleries that are sprouting up on the Lower East Side like mushrooms. The art market amazes me. Everyone knows it’s in the tank these days, and yet, for every gallery that closes – it seems as if there is some optimistic, idiotic kid who opens a new one up. Reminds me of me starting out in the midst of the 70’s recession. Several of the new galleries are outposts of established galleries but most are owned by former gallerinas – or gallerinos ?- who used to work for Chelsea dealers and are now out on their own. And they choose to open in the Lower East Side because it is the anti-Chelsea. The neighborhood couldn’t be more different. Continue reading Galleries on Lower East Side…

Richard Prince and I

April 8, 2009 at 3:38 pm | In richard prince, richard prince early work | 9 Comments
Tags: , , , , ,

Back in the day – I exhibited wonderful work on paper by Richard Prince. Today, he renounces these works although at the time they were exhibited and sold to museum and corporate collections.

Richard Prince, Four Men Laughing, 1975

Richard Prince, Four Men Laughing, 1975

His renunciation raises all kinds of questions regarding originality, attribution,  and ultimately value in the art world.

The situation raises soooo many questions.  Primarily, how much control does the artist have over his work, and how much should he have.  Continue reading Richard Prince and I…

Random Ideas about Value in the Art Market

March 10, 2009 at 8:18 pm | In art investment, art market, art price, art prices, art recession, collecting art, contemporary art | 2 Comments

I just gave an interview on a beginners guide to the contemporary art market and I’m afraid I wasn’t very helpful.  The interviewer kept asking me about value and I kept talking about how necessary art is for the soul.  I think, that’s not what he wanted to hear.  He wanted to hear about how to value art.  Which is a difficult question?  Especially now, when no one knows the value of anything.

So here are some of my ideas about what is and what is not a good value in the contemporary art market.  Please note that this is a very different subject from investing in art.  Art is a crummy monetary investment, even now when prices are getting lower by the minute.  However, a wonderful work of art that you love pays millions of dividends in pleasure and enlightenment. Continue reading Random Ideas about Value in the Art Market…

Transparent web site

November 23, 2008 at 2:37 am | In Art Galleries, art market, art prices, gallery web site | Leave a Comment

One of Lisa’s painter friends remarked to me about my how lively my web site is, and contrasted it to that of her gallery which is much more staid, and typical. So many random people compliment me on my site and I’m proud of how it differs from most galleries. It’s amazing how a web site reflects a personality.  Continue reading Transparent web site…

Trip to Africa and today’s art market

October 14, 2008 at 6:38 pm | In Uncategorized | Leave a Comment

I can’t believe it – I’m gone for two weeks – a life long dream of safari in Africa -  and I come back to total financial chaos.   One of our group did get their Blackberry occasionally going in the bush of Kenya, so we did get cryptic ominous headlines ie World Meltdown, Wall Street Gone to Hell in a Handbasket – stuff like that – but we were a million miles away and had only one job -  to see the lions, cheeta cubs, giraffes, and baboons (I loved the baboons) etc. up close and personal.  It was amazing,  and now that I’m back, I’m so glad I went while I still had money.  I never would have gone now that I’m poor again.  Oh well, easy come…

So what about the art market?  I have to say it’s been awfully quiet around here. Continue reading Trip to Africa and today’s art market…

The Cranes of Chelsea

October 1, 2008 at 8:27 pm | In Uncategorized | Leave a Comment
Tags: ,

September marked the beginning of yet another art season, and it’s been seven years since I moved my gallery from 520 Broadway to 20th street in West Chelsea. I moved into my new gallery on September 18, 2001, only seven days after the world-shattering events of September 11. Everyone was still in shock, devastated by the loss of life, by the loss of our sense of security. We had the job of starting a new art season and putting together a new space, and yet it was hard to believe that anyone would ever want to buy art again. Continue reading The Cranes of Chelsea…

Blog at WordPress.com. | Theme: Pool by Borja Fernandez.
Entries and comments feeds.