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	<title>Comments for Contemporary Art World -101</title>
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	<link>http://kathrynmarkel.wordpress.com</link>
	<description>Information you need to  navigate the contemporary art world</description>
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		<title>Comment on The High Line is New York at its Most. You Gotta Go by Pat Koenigsberg</title>
		<link>http://kathrynmarkel.wordpress.com/2009/06/23/the-high-line-is-new-york-at-its-most-you-gotta-go/#comment-56</link>
		<dc:creator>Pat Koenigsberg</dc:creator>
		<pubDate>Sat, 04 Jul 2009 17:43:20 +0000</pubDate>
		<guid isPermaLink="false">http://kathrynmarkel.wordpress.com/?p=257#comment-56</guid>
		<description>Thank you for your posts about NY, and the NY art scene.  I live in California, and don&#039;t get to NY as much as I would like.  Thank you for what you write.  I always find it refreshing.</description>
		<content:encoded><![CDATA[<p>Thank you for your posts about NY, and the NY art scene.  I live in California, and don&#8217;t get to NY as much as I would like.  Thank you for what you write.  I always find it refreshing.</p>
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		<title>Comment on Galleries on Lower East Side by John Monteiro</title>
		<link>http://kathrynmarkel.wordpress.com/2009/05/13/247/#comment-49</link>
		<dc:creator>John Monteiro</dc:creator>
		<pubDate>Fri, 15 May 2009 20:56:45 +0000</pubDate>
		<guid isPermaLink="false">http://kathrynmarkel.wordpress.com/?p=247#comment-49</guid>
		<description>Thank you so much for the insightful information. I&#039;m currently looking for
a new gallery in Manhattan and the &quot;lower east side&quot; sounds appealing. There is 
one thing that bothers me though and thats the talk about &quot;young artist&quot;. What about
men and women that have spent their lives working to get the recognition that
most of them deserve. There are many older gallery owners that have worked
extremly hard to promote their artist; nobody mentions their ages.
Over the many years that I&#039;ve been creating art, my collectors tell me that they
feel comfortable with me because I&#039;ve established a visible track record. 
I&#039;ve spent years in artist cooperatives and sold many works, but not as many
as a commercial gallery would have sold.
Please let me Know what you think of my work and please keep the great
communication going.</description>
		<content:encoded><![CDATA[<p>Thank you so much for the insightful information. I&#8217;m currently looking for<br />
a new gallery in Manhattan and the &#8220;lower east side&#8221; sounds appealing. There is<br />
one thing that bothers me though and thats the talk about &#8220;young artist&#8221;. What about<br />
men and women that have spent their lives working to get the recognition that<br />
most of them deserve. There are many older gallery owners that have worked<br />
extremly hard to promote their artist; nobody mentions their ages.<br />
Over the many years that I&#8217;ve been creating art, my collectors tell me that they<br />
feel comfortable with me because I&#8217;ve established a visible track record.<br />
I&#8217;ve spent years in artist cooperatives and sold many works, but not as many<br />
as a commercial gallery would have sold.<br />
Please let me Know what you think of my work and please keep the great<br />
communication going.</p>
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		<title>Comment on Galleries on Lower East Side by pam frederick</title>
		<link>http://kathrynmarkel.wordpress.com/2009/05/13/247/#comment-48</link>
		<dc:creator>pam frederick</dc:creator>
		<pubDate>Thu, 14 May 2009 18:06:18 +0000</pubDate>
		<guid isPermaLink="false">http://kathrynmarkel.wordpress.com/?p=247#comment-48</guid>
		<description>Loved your narrative.  It&#039;s a great addition to your website.</description>
		<content:encoded><![CDATA[<p>Loved your narrative.  It&#8217;s a great addition to your website.</p>
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		<title>Comment on Galleries on Lower East Side by LInda L. Broadfoot</title>
		<link>http://kathrynmarkel.wordpress.com/2009/05/13/247/#comment-47</link>
		<dc:creator>LInda L. Broadfoot</dc:creator>
		<pubDate>Thu, 14 May 2009 16:38:35 +0000</pubDate>
		<guid isPermaLink="false">http://kathrynmarkel.wordpress.com/?p=247#comment-47</guid>
		<description>I love reading your posts - they are smart, succinct and packed full of information. Thank you for your generosity.</description>
		<content:encoded><![CDATA[<p>I love reading your posts &#8211; they are smart, succinct and packed full of information. Thank you for your generosity.</p>
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		<title>Comment on Richard Prince and I by Charles Kessler</title>
		<link>http://kathrynmarkel.wordpress.com/2009/04/08/richard-prince-and-i/#comment-46</link>
		<dc:creator>Charles Kessler</dc:creator>
		<pubDate>Thu, 14 May 2009 16:38:27 +0000</pubDate>
		<guid isPermaLink="false">http://kathrynmarkel.wordpress.com/?p=236#comment-46</guid>
		<description>I guess if Sherrie Levine can claim other people’s work as her own, Richard Prince can claim his own work is someone else’s!! It stinks though.

Btw, shouldn’t it be “Richard Prince and Me” — or am I being too anal?</description>
		<content:encoded><![CDATA[<p>I guess if Sherrie Levine can claim other people’s work as her own, Richard Prince can claim his own work is someone else’s!! It stinks though.</p>
<p>Btw, shouldn’t it be “Richard Prince and Me” — or am I being too anal?</p>
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		<title>Comment on Richard Prince and I by Tamar Zinn</title>
		<link>http://kathrynmarkel.wordpress.com/2009/04/08/richard-prince-and-i/#comment-40</link>
		<dc:creator>Tamar Zinn</dc:creator>
		<pubDate>Sun, 12 Apr 2009 16:35:32 +0000</pubDate>
		<guid isPermaLink="false">http://kathrynmarkel.wordpress.com/?p=236#comment-40</guid>
		<description>Isn&#039;t this merely a ploy by Prince to bring MORE attention, not less, to the very work he now disavows? It is known to be his work, whether or not he chooses to authenticate it. He isn&#039;t the first to toy with the notion of what determines &#039;value&#039; and he won&#039;t be the last.</description>
		<content:encoded><![CDATA[<p>Isn&#8217;t this merely a ploy by Prince to bring MORE attention, not less, to the very work he now disavows? It is known to be his work, whether or not he chooses to authenticate it. He isn&#8217;t the first to toy with the notion of what determines &#8216;value&#8217; and he won&#8217;t be the last.</p>
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		<title>Comment on Richard Prince and I by Lise Hoshour</title>
		<link>http://kathrynmarkel.wordpress.com/2009/04/08/richard-prince-and-i/#comment-39</link>
		<dc:creator>Lise Hoshour</dc:creator>
		<pubDate>Fri, 10 Apr 2009 14:38:42 +0000</pubDate>
		<guid isPermaLink="false">http://kathrynmarkel.wordpress.com/?p=236#comment-39</guid>
		<description>One question to be put to members of ARS (Artists Rights Society) :
Does an American artist have a right to deny any work he has signed and been compensated for without having, first , reimbursed the buyer of the work ?  French law states clearly : &quot;&quot; l&#039;auteur ne peut exercer son droit de repentir qu&#039;à charge d&#039;indemniser préalablement le cessionnaire du préjudice &quot;
Thank you for keeping me in the loop, dear Kathryn,    Lise

By the way, when RP refused to give Michael Lobel permission to reproduce his early works in the catalogue for the Fugitive Artist exhibit in 2007, he (RP),in fact, admitted he was the author of these works.</description>
		<content:encoded><![CDATA[<p>One question to be put to members of ARS (Artists Rights Society) :<br />
Does an American artist have a right to deny any work he has signed and been compensated for without having, first , reimbursed the buyer of the work ?  French law states clearly : &#8220;&#8221; l&#8217;auteur ne peut exercer son droit de repentir qu&#8217;à charge d&#8217;indemniser préalablement le cessionnaire du préjudice &#8221;<br />
Thank you for keeping me in the loop, dear Kathryn,    Lise</p>
<p>By the way, when RP refused to give Michael Lobel permission to reproduce his early works in the catalogue for the Fugitive Artist exhibit in 2007, he (RP),in fact, admitted he was the author of these works.</p>
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		<title>Comment on Richard Prince and I by Macyn Bolt</title>
		<link>http://kathrynmarkel.wordpress.com/2009/04/08/richard-prince-and-i/#comment-38</link>
		<dc:creator>Macyn Bolt</dc:creator>
		<pubDate>Wed, 08 Apr 2009 19:40:07 +0000</pubDate>
		<guid isPermaLink="false">http://kathrynmarkel.wordpress.com/?p=236#comment-38</guid>
		<description>Prince’s actions bring up a host of ethical and legal issues relating to commerce. If he represents a work as something he has authored and receives money for it based, in part, on that fact, then takes overt action to devalue it, doesn’t that violate laws governing business practice? Isn’t he setting himself up for huge legal troubles?</description>
		<content:encoded><![CDATA[<p>Prince’s actions bring up a host of ethical and legal issues relating to commerce. If he represents a work as something he has authored and receives money for it based, in part, on that fact, then takes overt action to devalue it, doesn’t that violate laws governing business practice? Isn’t he setting himself up for huge legal troubles?</p>
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		<title>Comment on Richard Prince and I by Irene Mahler</title>
		<link>http://kathrynmarkel.wordpress.com/2009/04/08/richard-prince-and-i/#comment-37</link>
		<dc:creator>Irene Mahler</dc:creator>
		<pubDate>Wed, 08 Apr 2009 19:14:03 +0000</pubDate>
		<guid isPermaLink="false">http://kathrynmarkel.wordpress.com/?p=236#comment-37</guid>
		<description>I suggest no one buy Richard Prince&#039;s work anymore, at auction or elsewhere,since he is so enamored with joking with the market! Or if one does purchase, enjoy and understand that you are buying into his trickery as an integral part of his &quot;art process.&quot;</description>
		<content:encoded><![CDATA[<p>I suggest no one buy Richard Prince&#8217;s work anymore, at auction or elsewhere,since he is so enamored with joking with the market! Or if one does purchase, enjoy and understand that you are buying into his trickery as an integral part of his &#8220;art process.&#8221;</p>
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		<title>Comment on Richard Prince and I by Angus Whyte</title>
		<link>http://kathrynmarkel.wordpress.com/2009/04/08/richard-prince-and-i/#comment-36</link>
		<dc:creator>Angus Whyte</dc:creator>
		<pubDate>Wed, 08 Apr 2009 18:21:31 +0000</pubDate>
		<guid isPermaLink="false">http://kathrynmarkel.wordpress.com/?p=236#comment-36</guid>
		<description>Dear Kathy,
    Because you and I and Ellen Sragow, who all gave  exhibitions long before he was rich or famous, and because we have all been forced into this category of owning artworks by RP which he has chosen not to acknowledge, I think we should pool our collections and mount an exhibition in NYC entitled &quot;Salon de Refuse.&quot;
    On a serious note, the more his egregious behavior is publicized, perhaps the questions you raise will bring about some thoughtful responses.  I certainly hope so!</description>
		<content:encoded><![CDATA[<p>Dear Kathy,<br />
    Because you and I and Ellen Sragow, who all gave  exhibitions long before he was rich or famous, and because we have all been forced into this category of owning artworks by RP which he has chosen not to acknowledge, I think we should pool our collections and mount an exhibition in NYC entitled &#8220;Salon de Refuse.&#8221;<br />
    On a serious note, the more his egregious behavior is publicized, perhaps the questions you raise will bring about some thoughtful responses.  I certainly hope so!</p>
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